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Recording media: On board, removable SSD on Atomos. Recording media: SD card or external drive on the VA. Recording format: ProRes RAW/ProRes and DNx on Atomos. Recording format: BRAW/ProRes and DNx on the VA. The key differences between the VA and Atomos recorders are: As you can see in the photos, rigging or handholding the EVA-1 and VA 12G 5-inch is a comfortable setup size in hand, and not as heavy as a 7-inch monitor would be. The Video Assist 5-inch is a superb external monitor (considerably better than the EVA-1 viewfinder), with all of the regular features such as scopes, frame guides and LUT overlays. I find 7-inch monitors too large and heavy on smaller cameras, and puts it off balance somewhat. I decided to use the Blackmagic VA 12G 5-inch model purely because of it’s size. When the camera sends the RAW signal to the VA, it is always in V-LOG.įor the best viewing experience, click the cog and watch in 4K.īoth the Video Assist and the Atomos Shogun 7 (now Ninja V Pro Kit) can record up to 5.7K from the EVA-1. 5.7K Blackmagic RAW Footage From The Panasonic EVA-1īefore we look deeper, let’s first check out some sample footage from the EVA-1 and VA 12G setup. Please do keep reading, there is some essential information and links later in this article. The additional feature of external RAW recording in 4K and up to 5.7K in BRAW was why I chose the camera over the Sony FS7, which is of course a fantastic camera in it’s own right. As an all-round cinema camera capable of internal 10-bit 4K, super slow motion and exceptional colour science. I have been filming with the Panasonic EVA-1 for a number of years. Looking back at one of my most popular blog posts dating back to 2015 ‘ Out Filming With The Sony a7S and Atomos Shogun in 4K’, I thought that it was about time to put together a new review looking at a nifty high resolution setup, with the addition of Blackmagic RAW.

Unable to communicate with pluraleyes 4 panel